ELZABURU Blog - Industrial and Intellectual Property

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Fashion Law: Counterfeiting in the fashion sector (VII)

ELZABURU has had the pleasure of working together with the publisher Thomson-Reuters Aranzadi on Fashion Law, a pioneering work in Spain on the subject of fashion law, which was presented on 16 April.

In these short weekly summaries, the professionals at ELZABURU who participated in the work offer us a brief outline of their contributions:

Counterfeiting in the fashion sector

For some years now we have been witness to the ongoing integration of national economies (Spain’s included) into a single global economy. The many opportunities this opens up to producers, companies, and consumers often go hand in hand with the market’s flexibility being turned to the advantage of international criminal gangs to place illicit goods in far-away destinations.

The broad extent of crimes against intellectual property in Spain is due, in no small part, to the mild penalties these activities have traditionally elicited and to a widespread lack of awareness both by society as a whole and even by judicial authorities.

Like other production and consumption sectors, the fashion industry too has not been spared the scourge of counterfeiting.

One fashion counterfeiting statistic of great concern is that in 2015, 46 % of all goods detained by Customs in the EU were fashion-related items, more specifically, athletic shoes, handbags, purses, watches, and clothing.

In 2016 Spanish police forces seized nearly 800,000 fashion-related articles in Spain, namely, footwear, jewellery, watches, leather goods, accessories, perfumery, cosmetics, and textile goods.

Online selling has opened up to the fashion industry both a new distribution channel and a way to attract consumers, but counterfeiters have put the anonymity offered by the web, the vast numbers of potential buyers, and the multinational nature of the Internet to good use in running their criminal businesses.

A quick Internet search on “fake bags” plus the name of any luxury brand returns hundreds of thousands of hits.

This attests to the vast tendrils of counterfeiting that have broadly infiltrated fashion e-commerce, certainly posing a challenge to law enforcement and to protecting the rights of brand-owners, who bear the actual brunt of the economic impact in the form of, for instance, reduced earnings, fewer jobs, and damage to brand image and reputation.

Still, it is not all bad news in this sector. A series of reforms to the law in Spain have ushered in significant changes in the definition of offences against intellectual property that will have a positive effect on the fight against counterfeiting.

The main example of recent changes to the law is the long-awaited scaling of penalties to the severity of the conduct carried out by infringers (importing, wholesaling, street vending, etc.), which opens up the possibility of dealing with offences against industrial property more fairly and more proportionately.

Author: Tránsito Ruiz 

Visit our website: http://www.elzaburu.es/en

Blog entries in the series Fashion Law:

1.Trademark protection in the fashion sector (23.04.2018)

2.Design protection in the fashion sector (30.04.2018)

3.Patent protection in the fashion sector (07.05.2018)

4.Protection of fashion through copyright (21.05.2018)

5. Image rights in the fashion sector (28.05.2018)

6.Fashion Law. Data Fashion (04.06.2018)

7.Counterfeiting in the fashion sector (11.06.2018)

8.Exhaustion of rights in the fashion sector (18.06.2018)

9.Corporate reputation in the fashion sector (25.06.2018)

10. Protection of the commercial imagen of a fashion brand (04.07.2018)

11. Websites, Apps & Social Networks (13.07.2018)

12. Valuation of intangible assets (17.07.2018)

13. Licensing (06.09.2018)

Mexico. Major changes coming for trade marks

A short time ago, on 18 May 2018, Mexico’s Official Journal of the Federation published Amendments and Additions to the Industrial Property Act affecting trade marks. The Decree containing these changes will enter into force 60 days after publication, i.e., on around 10 August 2018.

Mexico is a primary landing place for Spanish companies and clients in their internationalization projects. The fact is that in recent years Mexican lawmakers and our colleagues have made huge efforts to modernize the practice of the profession and trade mark practice generally.

Broadly speaking, Mexican lawmakers would appear to have taken aim not only at updating the country’s trade mark legislation, at consolidating the barely two-year-old opposition proceedings, but also at impinging on such key trade mark law principles as “bad faith” as a bar to registering a trade mark and/or at settling uncertainties attaching to certain aspects that were highly ambiguous in practice, such as compulsory use by owners.

Firstly, and significantly, the concept of what a trade mark is has been expanded to include non-traditional marks (e.g., holograms, sound marks, and olfactory marks), collective and certification marks, and even trade dress as understood in the law of English-speaking countries, which will become registrable under the new wording of the law, though it is not referred to literally by that name.

Also, the possibility of registering generic or descriptive trade marks lacking in distinctiveness as an exception to absolute grounds for refusal is recognized where a trade mark has acquired secondary meaning through its use in the marketplace.

It will become possible to request a declaration that an unregistered trade mark is well known; before the Decree, prior registration was required.

The Mexican Institute of Industrial Property (IMPI) will begin admitting letters of consent and coexistence agreements as means of dispute resolution and settling cases where an obstacle posing a likelihood of confusion has been encountered. Nevertheless, it appears that they may not be admissible in the case of identical trade marks.

In line with practice more common in English-speaking jurisdictions and the Court of Justice of the European Union’s oft-cited “IP Translator” judgment, which has caught the eye of jurisdictions outside the EU, Mexican lawmakers have come down on the side of specific descriptions of goods and services, and hence general class headings will no longer be accepted. Taken in conjunction with the new requirement for declarations of use mentioned above, we think it will be wise to decide on an appropriate trade mark protection strategy for Mexico, generally of great importance to Spanish clients, from the very outset.

Use is the reason for being and the purpose of trade marks and what makes a trade mark a reality, and in point of fact most countries’ legislation includes a use requirement for trade marks. In this regard, one of the most relevant aspects included in the new Decree is the requirement – from entry into force of the amendments – for owners of trade mark registrations to submit Declarations of Use for their trade marks starting three years from the registration date. Our primary sources have told us that the declaration of use could be required with each renewal, in which case the question of use will become an essential component of any trade mark protection strategy in Mexico. Failure to comply with this new requirement will result in cancellation of the trade mark.

Another controversial question regarding trade mark use to date has been whether or not it is advisable to include a date of first use when filing a trade mark application in Mexico, because the trade mark application form did not in fact provide for doing so yet nonetheless constituted a sort of “tacit presumption of an intent to use declaration“. Beginning in August, anyone seeking to claim a date of first use for a trade mark filing will have to include that date on the application form itself. If a date of first use is not stated, the application may then be deemed to be a “tacit intent to use declaration”.

Coming back to the principle of “bad faith” referred to earlier, it is included in the Decree as grounds for opposition and for cancellation of a trade mark. In addition, the binding effect of oppositions has been strengthened.

From our perspective, these changes will proffer additional grounds for judgments and decisions that will help Mexico gradually increase the specialisation of the IMPI and the courts in trade mark matters.

 

Author: Cristina Arroyo 

Visit our website: http://www.elzaburu.es/en

Fashion Law. Data Fashion (VI)

ELZABURU has had the pleasure of working together with the publisher Thomson-Reuters Aranzadi on Fashion Law, a pioneering work in Spain on the subject of fashion law, which was presented on 16 April.

In these short weekly summaries, the professionals at ELZABURU who participated in the work offer us a brief outline of their contributions:

  Data Fashion

Data has undoubtedly become of one the most valuable intangible assets of any organization. The fashion sector is no exception and technology has helped to increase sales in the sector and reduce costs, as well as bring companies closer to their customers and enable them to identify their customers’ needs.

In this regard, intelligent analysis and appropriate management of data protection can be a competitive weapon for companies and an additional means of securing the loyalty of existing customers and attracting new customers, provided that they are conducted in a transparent manner and with respect for customers and users. Big Data is a very powerful tool, although various precautions must be taken to avoid breaching the rights and freedoms of the users whose data will be subjected to mass data processing, particularly if it is combined with or supplemented by automated decisions, one of the biggest threats in the mass processing of data, together with so-called “artificial intelligence”.

The General Data Protection Regulation has brought with it greater obligations with respect to the processing of personal data. In this regard, those organizations using Big Data processing will in all probability have to conduct a data protection impact assessment on the processes involved, and designate a Data Protection Officer.

Behavioural marketing allows companies to track the behaviour of users in order to then create detailed profiles and classify individuals and target advertising in accordance with their tastes and preferences. This monitoring of behaviour can be more or less invasive and conducted using different means. In the fashion sector, this can be in public spaces, through a range of different geolocalisation techniques (RFID labelling, geofencing, beacons, GPS, mobile localization services), in the new commercial spaces shared by different brands, in the establishment itself through the implementation of a range of technologies that can convert it into a smart store, and via the Internet (thanks to social networks, cookies and similar devices, mobile applications, wearables, etc.).

Whatever the chosen data processing method, brands must place customers and users at the heart of their business and this will require them to treat their customers with care and show them that they are important to the business, and thus ensure that the interests of customers and users are respected. This means that all processing of their data must be lawful, fair and transparent.

To that end, data processing in the fashion sector will generally need to be based on one or more of the following premises:

  • A contractual or pre-contractual relationship exists between the brand and the customer or potential customer justifying the processing of their data (for example, the sale of any product to a customer);
  • The brand has a legitimate interest that prevails over the rights and interests of the customer or potential customer (for example, in certain cases, direct marketing, except e-mail marketing, which generally calls for the express consent of the e-mail recipient);
  • The brand has a legal obligation (for example, tax or accounting obligations); or Express consent is held from the different interested parties (for example, for the distribution of a newsletter).

Finally, in order to ensure that all data processing carried out is fair and transparent, all fraudulent or misleading means, in both the collection and subsequent use of data, must be avoided, and the individuals whose data is being processed (customers, potential customers, contacts, employees, etc.) should be provided with information on the characteristics of the processing of their data, information which can be limited to identifying who is processing their data and the method involved, with whom the data is shared, whether the data will be sent or accessed from outside the European Economic Area, and specifying their rights in relation to the data processing.

 

Author: Ruth Benito 

Visit our website: http://www.elzaburu.es/en

 

Blog entries in the series Fashion Law:

1.Trademark protection in the fashion sector (23.04.2018)

2.Design protection in the fashion sector (30.04.2018)

3.Patent protection in the fashion sector (07.05.2018)

4.Protection of fashion through copyright (21.05.2018)

5. Image rights in the fashion sector (28.05.2018)

6.Fashion Law. Data Fashion (04.06.2018)

7.Counterfeiting in the fashion sector (11.06.2018)

8.Exhaustion of rights in the fashion sector (18.06.2018)

9.Corporate reputation in the fashion sector (25.06.2018)

10. Protection of the commercial imagen of a fashion brand (04.07.2018)

11. Websites, Apps & Social Networks (13.07.2018)

12. Valuation of intangible assets (17.07.2018)

13. Licensing (06.09.2018)

 

Fashion Law. Image rights in the fashion sector (V)

ELZABURU has had the pleasure of working together with the publisher Thomson-Reuters Aranzadi on Fashion Law, a pioneering work in Spain on the subject of fashion law, which was presented on 16 April.

In these short weekly summaries, the professionals at ELZABURU who participated in the work offer us a brief outline of their contributions:

 

Image rights in the fashion sector

Image rights are an essential part of the fashion world, with trends in this sector having evolved towards attempts to create a dialogue between the brand and the consumer, where the image associated with the brand symbolizes a lifestyle.

The chapter that we have prepared deals with the concept of image rights and their limitations, applicable legislation, the most common uses of image rights in the fashion sector, and defence of image rights.

We underline the importance of authorization for exploitation of image rights by means of a contract setting out the object of exploitation (image, voice and/or name), listing the authorized rights (for example, image capture, distribution), and stating the purpose (for example, advertising), authorized formats and media, time scale and territorial scope, as well as any possible obligations relating to participation in promoting the product, and any exclusivity or non-competition clauses.

Since image rights are personal rights, they are unwaivable and inalienable, and may therefore be revoked. That is, authorization may be “cancelled” at any time, provided that there is compensation for any damage caused, including legitimate expectations.

This chapter also touches on the concept of “brand ambassadors” and the new players on social media (influencers, bloggers, youtubers, and Twitter personalities), who are selected to represent fashion brands based on their personality and character, and who, in some cases, are even required to preserve the brand’s reputation.

Finally, we cite some examples where image rights have been infringed as a result of breach of contract, brands exceeding the authorized use of the image, breach of contract due to infringement of the right to exclusivity by the owner of the image rights, and even as a result of identity theft or unauthorized use by brands.

 

Author: Cristina Espín 

Visit our website: http://www.elzaburu.es/en

 

Blog entries in the series Fashion Law:

1.Trademark protection in the fashion sector (23.04.2018)

2.Design protection in the fashion sector (30.04.2018)

3.Patent protection in the fashion sector (07.05.2018)

4.Protection of fashion through copyright (21.05.2018)

5. Image rights in the fashion sector (28.05.2018)

6.Fashion Law. Data Fashion (04.06.2018)

7.Counterfeiting in the fashion sector (11.06.2018)

8.Exhaustion of rights in the fashion sector (18.06.2018)

9.Corporate reputation in the fashion sector (25.06.2018)

10. Protection of the commercial imagen of a fashion brand (04.07.2018)

11. Websites, Apps & Social Networks (13.07.2018)

12. Valuation of intangible assets (17.07.2018)

13. Licensing (06.09.2018)

Fashion Law. Protection of fashion through copyright (IV)

ELZABURU has had the pleasure of working together with the publisher Thomson-Reuters Aranzadi on Fashion Law, a pioneering work in Spain on the subject of fashion law, which was presented on 16 April.

In these short weekly summaries, the professionals at ELZABURU who participated in the work offer us a brief outline of their contributions:

Protection of fashion through copyright

We cannot resist including in this summary the quote from Balenciaga mentioned at the beginning of the chapter. The Basque couturier remarked that a couturier must be an architect for design, a sculptor for shape, a painter for colour, a musician for harmony, and a philosopher for temperance.

This desire to promote fashion design to the category of work of art also extends to the legal front, in efforts to extend copyright protection to a variety of creations, mostly textile creations, whose natural source of protection is something quite different.

This is not surprising, given that the protection offered by copyright is in many respects more beneficial than that offered by industrial designs, for example. The most obvious advantage is the duration of copyright protection (70 years post mortem auctoris), but there is also the absence of any formal requirements for obtaining protection and the series of moral rights to which the author is entitled.

However, it is not quite so easy. A creation, whatever the artistic field, must possess a specific degree of originality and creativity in order to obtain copyright protection. It is thus a question of determining what constitutes an original creation that is eligible for this type of protection.

This is the most controversial issue in the area of copyright law. There is no definition in either the Copyright Act or the Industrial Design Act that might serve as a basis for determining which creations are covered by copyright and which ones call for other means of protection, such as designs or unfair competition law.

However, based on the most recent case law, it appears to be a question of degree rather than concept. That case law also focuses on the different purposes that designs and copyright are intended to serve, which would imply that the choice of one means of protection or the other would be determined to a certain degree by the extent to which the design is intended for industrial use and the intellectual works are intended to serve an ornamental, decorative or merely aesthetic purpose.

The task of the legal practitioner in this field is therefore to pinpoint the boundary between the originality required of a design (Article 5 of the Industrial Design Act refers to novelty and individual character) and that required for it to qualify as an artistic work.

The reality is that prêt-à-porter fashion is intended for mass production and consumption and therefore the natural source of protection would be that offered by an industrial design, which has a much shorter term of protection and is aimed at fostering, among other things, the smooth functioning of the market and of production and marketing of consumer goods.

Therefore, few creations in the world of fashion can be considered especially creative and afford their creators the privileged status of author of an artistic work. But who would dare to say that Yves Saint Laurent’s famous dress evoking Mondrian’s “Composition with Red Blue and Yellow” is not a work of art?

 

Author: Patricia Mariscal 

Visit our website: http://www.elzaburu.es/en

 

Blog entries in the series Fashion Law:

1.Trademark protection in the fashion sector (23.04.2018)

2.Design protection in the fashion sector (30.04.2018)

3.Patent protection in the fashion sector (07.05.2018)

4.Protection of fashion through copyright (21.05.2018)

5. Image rights in the fashion sector (28.05.2018)

6.Fashion Law. Data Fashion (04.06.2018)

7.Counterfeiting in the fashion sector (11.06.2018)

8.Exhaustion of rights in the fashion sector (18.06.2018)

9.Corporate reputation in the fashion sector (25.06.2018)

10. Protection of the commercial imagen of a fashion brand (04.07.2018)

11. Websites, Apps & Social Networks (13.07.2018)

12. Valuation of intangible assets (17.07.2018)

13. Licensing (06.09.2018)

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